Sunday, April 26, 2015

10 Synonyms for Search Terms

X: The Truman Show
American movie / story movie / comedy / classic movie / adventure film / survival film
Y: rebellion moments
rebel / rebellious / revolt / revolutionary / dissent / uprising / insurgent / insurgency / break law / break rule / 

Thursday, April 23, 2015

Research Statement

Central Question:
How do rebellion moments function in The Truman Show?
Sub-question:
-Why Truman wants to rebel?
-How does Truman rebel in these rebellion moments?

-What are the consequences and meanings of rebellion moments?

Thursday, April 9, 2015

CFP

Three CFP

1.      Heroes in Popular Culture
Papers can explore any topic relating to heroes and/or prevailing notions of heroism as they present themselves in popular culture. Topics may include, but are not limited to:
-Superheroes and action stars as heroic icons
-Video games and the experience of vicarious/learned heroism
-Connections between violence and heroism
-The gendering of heroism
-Heroines in young adult fiction
-Anti-heroes in media
-Pop culture heroes and religion/mythology
-Hero worship
-Real world heroes in the news and biographies
2.      The Value of Survival
In this panel, we aim at enquiring the ground and role of the value of survival among a plurality of philosophical perspectives.
We encourage abstracts that cover or relate to one or more of the following strands:
•What is the meaning of survival? Is survival a value?
•What is the normative ground of survival?
•Is survival the grounding value of politics? And if so, should it be?
•What is its place among other values? Should it override other moral and political values?
•What is the relation – if any – between individual survival and the survival of the political institution?
•How does the question of survival vary among different traditions in the history of political thought? Can it be considered a modern invention?
3.      Premier Issue: The Politics of Home
For our premier issue, we seek engagements with the home(s)/homelessness in literature spanning all eras.
Topics may include, but are not limited, to the following:
• Representing home/trauma as an illusion
• The discourse of home
• Home as Memory
• The personal and political home
• Colonization/colonialism and the home
• Conflict, identity crisis, and forgiveness within the frame of the home
• Spatial divides within and without the home: Public vs. domestic
• Masculinity and home
• Gender performance/demonstrations of subverting the heteronormative via home


Five Texts/Subjects

1.    X: How to Train Your Dragon 2
Y: Hiccup as a hero; victory in the war; Hiccup’s relationship with his family
2.    X: The Legend of 1900
Y: Danny’s attitude towards 1900; people who leaves the ship; piano
3.    X: The Truman Show
Y: Truman’s escape; the fake world; Laura Linny
4.    X: The Masque of the Red Death
Y: the castle; the Prince Prospero; the clock
5.    X: Harry Potter and the Philosopher's Stone

Y: Harry Potter; the owl; Quidditch

Thursday, April 2, 2015

Short Analysis Paper Draft1

https://docs.google.com/a/kean.edu/document/d/1958EnkJYPflglxZBKDzS7JMDsZ-TqpktwXoiW8R5iQ0/edit

Sunday, March 29, 2015

Response to "Dearth" (analysis of symbols)


Dirt appears many times in this story, so I this it is an important symbol. Here are several moments including "dirt".

1.      “…jabbing the dirt with a spade as she bordered the house with nasturtium seeds.”
This is the first time “dirt” appears in the story. At the very beginning, the woman only throws away the seven potatoes, and they come back. But this time, those potatoes even survive the oven and the tires and the road, and come back. The woman is quite angry and tries to ignore them. Jabbing the dirt is what the woman do the rest of the day.
2.      “…pushing every speck of dirt out the door until the floor rang smooth.”
The woman has already tried many ways to get rid of these potatoes. She has some beer and comes back home, slicing all seven potatoes and throws them away. She eats the left piece of potato, and pushing dirt out the door the rest of evening. This moment is a little bit similar to the first moment. It seems that the woman has a morbid fear of getting dirty.
3.      “…and the taste in her mouth felt like the kind of stale dirt that has lost its ability to grow anything.”
After seeing her neighbor with suitor and many flowers, the woman shivers. The woman feels so hungry that she decides to eat the potato. The potato is larger than an average one, and it has an abstract shape. She hates potatoes, and the taste is like stale dirt. But she still struggles to eat.
4.      “…she pushed them out the front door to the side of the house where there was a strip of dirt that the neighbor could not see.”
“He looked up at her with wondering eyes and she filled the hole with dirt over him.”
“…as she shoved more dirt over his grayish body.”
When her neighbor asks for borrowing the woman’s bathroom, she refuses because four potatoes are hidden there. After that, the woman yells to potatoes to get away. Then she pushes them out to a strip of dirt where she will bury them soon. The following two moments happen when the woman is burying four potatoes. She shoves dirt over potatoes, and fills the hole with dirt.
5.      “…she went outside to the strip of dirt.”
Life without potatoes is lonely. The woman does everything alone again. But now, she begins to miss the days with potatoes. The next morning, she checks the strip of dirt where potatoes are buried. There is no movement, and she sets a rock at each site.
6.      “He sat right when the shovel touched his arm and dirt fell from his face and legs.”
“The layers of dirt became them.”

The woman meets her neighbor and says there is no broken bathroom; in addition, she has four potato children. Then, she digs up four potatoes. When she shoves, she touches dirt. When the potatoes are dug out, dirt become them.

Thursday, March 19, 2015

Response to The Forest

The Forest is a short story written by Andrea Barrett. It depicts an unusual encounter between a famous scientist Krzysztof Wojciechowicz and a young girl called Bianca who drops out graduate school. They meet in Constance’s institute where scientists get together and both feel awkward to join that circle. Later they talk about their past life, go to the park that Bianca discovered, then Krzysztof gets hurt. In the end, they have different choices, one is “back”, the other is “away”. This story always makes me think about a question: where does life lead us to?
       Through reading, main characters’ images are vivid not only appearance. Krzysztof, an old scientist, seems not very good at dealing with people. He is nostalgic, misses the old times, the forest in Poland, his mother, the bison. Bianca, a typist in the institute, doesn’t like scientists here. She had a desire to flee just like running in her own park. And the scientists, smart, quiet arrogant, are eager for fame. Andrea offers these information by several ways. Direct description is clear, for example, to describe Bianca, “round-cheeked”, “blond hair frizzing in all directions”, “pale hair flying in all directions”, etc. Also, conversation is a good way to reveal one’s characteristics. For instance, when Arnold talks with Bianca, he just pretends to be polite, which depicts a condescend scientist. In addition, through conversation, we can gather information about characters’ life experiences such as conversations between Krzysztof and Bianca.
       The title is The Forest, so what is the forest? In the story, Krzysztof mentions a forest in Poland while Bianca has that park. The forest is not a real forest; it is what everyone pursues in life. Krzysztof wants “back” and Bianca wants “away”, but they are still finding. They remind me of a word: loneliness. When these two persons meet, they should have some stories because they both want to jump out of most people’s idealized life. Actually, Krzysztof loves Bianca though he is too old, but Bianca doesn’t, not even regards him as an actual man. They have different directions, only have one point of intersection. The spark is instant, but the loneliness is forever. Maybe you can’t get to your own forest, also no one can enter it.